Colombian Nobel laureate Gabriel García Márquez was the author of One Hundred Years of Solitude (1967), Autumn of the Patriarch (1975), Love in the Time of Cholera (1985), in addition to many other novels, short stories, and non-fiction works. In 1982 he received the Nobel Prize in Literature for “his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent’s life and conflicts.” García Márquez, only the fourth of six Latin Americans to be awarded the literature prize since its inception in 1901, lamented: “they have taken into account the literature of the sub-continent and have awarded me as a way of awarding all of this literature.” In his acceptance speech, entitled “The Solitude of Latin America”, García Márquez addressed the postcolonial struggles of Latin American nations, and the willing embrace by European institutions of Latin American cultural expression but not its social realities:
Latin America neither wants, nor has any reason, to be a pawn without a will of its own; nor is it merely wishful thinking that its quest for independence and originality should become a Western aspiration. However, the navigational advances that have narrowed such distances between our Americas and Europe seem, conversely, to have accentuated our cultural remoteness. Why is the originality so readily granted us in literature so mistrustfully denied us in our difficult attempts at social change? Why think that the social justice sought by progressive Europeans for their own countries cannot also be a goal for Latin America, with different methods for dissimilar conditions?
"Meme, the first daughter of Aureliano Segundo and Fernanda del Carpio, grows up as frivolous as her father, only feigning interest in the clavichord that her mother forces her to study. With her father, Meme develops a companionship based on shared interests and mutual distaste for Fernanda. She befriends a few American girls and starts to socialize with them, even learning a little English. Meme falls madly in love with Mauricio Babilonia, a mechanic working for the banana plantation who courts her bluntly and shamelessly and whose openness and solemnity entrance Meme. He is followed always by yellow butterflies. Fernanda discovers them kissing in a movie theater and confines the lovesick Meme to the house. When she deduces that Mauricio Babilonia sneaks into the house every night to make love to Meme, she posts a guard in the backyard. When Babilonia returns once more, the guard shoots him, shattering his spine and paralyzing him for the rest of his life…"
- Gabriel García Márquez, "One Hundred Years of Solitude"
rest in peace, gabriel garcia marquez. i’ll never ever forget this:
Macondo está de luto: Fallece nuestro premio Nobel Gabriel García Márquez
so, it is 2:58 and it’s supposed that the moon is closest to the center of the shadow but unfortunately in my location, the sky is completely overcast and i cannot see a thing.